An entirely strange, illogical and inconsistent font packed with inappropriate curlicues and appendages translated and composed from a few words on a crumbling fragment of Victorian sheet music. It was developed to form the logotype and display text of a manifesto for a creative collective working as artists, researchers, producers and agents.
An entirely strange, illogical and inconsistent font packed with inappropriate curlicues and appendages translated and composed from a few words on a crumbling fragment of Victorian sheet music. It was developed to form the logotype and display text of a manifesto for a creative collective working as artists, researchers, producers and agents.
family of 1 font from Breaking the Norm
Galeforce blew into town and has staked her claim with this powerful handwriting typeface. Let 'em know your mean business with this typeface.
family of 1 font from Breaking the Norm
Galeforce blew into town and has staked her claim with this powerful handwriting typeface. Let 'em know your mean business with this typeface.
family of 1 font from Mecanorma Collection
A very chunky and rounded font.
I have shortened the r and t, increased the size of the dots, and tweaked a little here and there - before expanding the character set substantially. I actually like the font so much that I also used it for the CheapProFonts logo! More…
A very chunky and rounded font.
I have shortened the r and t, increased the size of the dots, and tweaked a little here and there - before expanding the character set substantially. I actually like the font so much that I also used it for the CheapProFonts logo! More…
family of 1 font from BA Graphics
A heavy bold serif face, packs great punch; excellent headline font.
family of 4 fonts from Lamatas un Slazdi
Art Nouveau typeface “Gaisma Latin” (“Light” in Latvian) draws inspiration from Vienna Secession movement and Nordic National Romanticism. The work on the design started as drawings of several characters for the graphic standard for the Jugendstil museum in Riga. It contains characters for all the European languages as well as a huge set of contextual and stylistic alternates and historical characters to replicate texts of the era.
Art Nouveau typeface “Gaisma Latin” (“Light” in Latvian) draws inspiration from Vienna Secession movement and Nordic National Romanticism. The work on the design started as drawings of several characters for the graphic standard for the Jugendstil museum in Riga. It contains characters for all the European languages as well as a huge set of contextual and stylistic alternates and historical characters to replicate texts of the era.
Art Nouveau typeface “Gaisma” (“Light” in Latvian) contains characters for all the European languages, Cyrillic and modern Greek as well as a huge set of contextual and stylistic alternates and historical characters to replicate the texts of the era. It draws inspiration from Vienna Secession movement and Nordic National Romanticism. The work on the design started as drawings of several characters for the graphic standard for the Jugendstil museum in Riga. To use it more effectively and to get acquainted with the possible stylistic sets download the Gaisma specimen in pdf format.
Art Nouveau typeface “Gaisma” (“Light” in Latvian) contains characters for all the European languages, Cyrillic and modern Greek as well as a huge set of contextual and stylistic alternates and historical characters to replicate the texts of the era. It draws inspiration from Vienna Secession movement and Nordic National Romanticism. The work on the design started as drawings of several characters for the graphic standard for the Jugendstil museum in Riga. To use it more effectively and to get acquainted with the possible stylistic sets download the Gaisma specimen in pdf format.
family of 2 fonts from HiH
Gaiety Girl and Gaiety Girl Inclined are based on the poster lettering of English artist Dudley Hardy.
family of 2 fonts from HiH
Gaiety Girl and Gaiety Girl Inclined are based on the poster lettering of English artist Dudley Hardy.
Gaheris is a decorative font in the same tradition as our Goddard and Ganelon fonts, but with a somewhat more calligraphic look.
It is suitable for use as a text or title font, but has some characteristics of a script font, which gives it an unusual and appealing appearance.
It’s based on early 20th century advertising type of a style which you don't see much any more, but which deserves to be preserved.
family of 24 fonts from Fontfabric
Gabriel Sans is a font family inspired by the original Sans Serif fonts of the Transitional age like Futura and Grotesk, but with a modern twist. It is clean, elegant and straight-to-the-point. It has features similar to the classic Helvetica - like the endings of the capital C - but goes one step further. It also has a quadratic look, which makes it easily distinguishable and easy to use - the height is nearly as long as the width.
font family
Gabor Pro - a versatile multilingual script font.
family of 1 font from Nick's Fonts
The pattern for this face was designed by Will Bradley in 1894 for the cover of Inland Printer magazine, and was licensed the following year to American Type Founders.
A typeface that allows the direct typing of headers and footers in WP packages. Full frames can be made using any drawing packages clone, flip and rotate commands. The typeface is supplied with two weights which will allow countless numbers of frames to be created.
As the name suggests the frames and headers/footers all have a leaf theme.
A typeface that allows the direct typing of headers and footers in WP packages. Full frames can be made using any drawing packages clone, flip and rotate commands. The typeface is supplied with two weights which will allow countless numbers of frames to be created.
As the name suggests the frames and headers/footers all have a leaf theme.
family of 6 fonts from Rodrigo Fuenzalida
Fux is a condensed, neutral looking font, that features and extended ligature set, small caps, old style numbers and stylistic alternates, that should help to fulfill all your type setting needs.
Futurum Parqez is the first collaborative font for Parquillian Design.
The idea for this font first came to the creator, Jose V Lopez, almost 40 years ago. A couple years ago he shared his concepts and we were gradually able to collaborate on editing the designs and turn them into a working font.
The philosophy behind the font is to use a standardized frame format and the fewest strokes possible, while maintaining legibility, to create an original minimalist and modern style.
