Download ITC Ironwork Font Family Style

Tom Carnase and Ronne Bonders freewheeling ITC adaptation of ATFs turn-of-the-century Caslon boldfaces.
Tom Carnase and Ronne Bonders freewheeling ITC adaptation of ATFs turn-of-the-century Caslon boldfaces.
family of 1 font from Bitstream
Borrowed from Post Oldstyle by Tom Carnase and Ronne Bonder, who prepared the face for ITC.
family of 1 font from Bitstream
Borrowed from Post Oldstyle by Tom Carnase and Ronne Bonder, who prepared the face for ITC.
Borrowed from Post Oldstyle by Tom Carnase and Ronne Bonder, who prepared the face for ITC.
Some words from the designer...
Like long legs walking a runway in stiletto heels, ITC Cherie is both sophisticated and feminine. West coast designer Teri Kahan developed this art nouveau-style font into two distinct all capital alphabets one with a high waist, placed in the capital position, and the other a low-waist, placed in the lower case position. They work separately or together, and this dual nature gives a designer the ability to make subtle changes in a logo or line of text.
Additional flourished letters round out this versatile headline font.
In 1975, under license from American Type Founders, International Typeface Corporation commissioned Tony Stan to redraw and extend the Century family. In updating Morris Fuller Bentons design, Stan tightened the letterspacing and increased the x-height.
The full ITC Century family consists of four weights and matching italics, plus the eight corresponding condensed faces.
Bookman is a sturdy workhorse design for legible blocks of text. Ed Benguiat based his 1975 revival on an 1860 design by Alexander Phemister for the Miller & Richard foundry in Scotland. The original Bookman, also known as Old Style, was designed to be an alternative text face to Caslon, improving what were considered to be Caslons undesirable traits; Phemisters Bookman had slighter serifs, shorter ascenders and descenders, and a more prominent vertical stress.
Benguiat added new weights and expanded the x-height to create a straightforward look that is well-suited to both book design and display applications.
Bookman is a sturdy workhorse design for legible blocks of text. Ed Benguiat based his 1975 revival on an 1860 design by Alexander Phemister for the Miller & Richard foundry in Scotland. The original Bookman, also known as Old Style, was designed to be an alternative text face to Caslon, improving what were considered to be Caslons undesirable traits; Phemisters Bookman had slighter serifs, shorter ascenders and descenders, and a more prominent vertical stress.
Benguiat added new weights and expanded the x-height to create a straightforward look that is well-suited to both book design and display applications.