Download Initiales Grecques Font Family
Download Initiales Grecques Font Family
The Initiales grecques were made by Firmin Didot ca 1800. When set at 22-pt, the AR font will match the size of the Corps Vingt-Deux from which it is derived.
The Initiales grecques were made by Firmin Didot ca 1800. When set at 22-pt, the AR font will match the size of the Corps Vingt-Deux from which it is derived.
The Initiales grecques were made by Firmin Didot ca 1800. When set at 22-pt, the AR font will match the size of the Corps Vingt-Deux from which it is derived.
IngyArrows is a set of three fonts with three sets of arrows, with one of them a blend of the other two, where normally there are standard numbers, letters, and punctuation marks.
The revision of 2011 added many of the arrows that exist in several places in the unicode codings and that cannot be accessed by normal keystrokes.
IngyArrows is a set of three fonts with three sets of arrows, with one of them a blend of the other two, where normally there are standard numbers, letters, and punctuation marks.
The revision of 2011 added many of the arrows that exist in several places in the unicode codings and that cannot be accessed by normal keystrokes.
family of 1 font from Nick's Fonts
The pattern for this classic typeface was originally called “Viking Oldstyle”, from the 1909 H.C. Hansen Type Foundry catalog.
family of 1 font from Nick's Fonts
The pattern for this classic typeface was originally called “Viking Oldstyle”, from the 1909 H.C. Hansen Type Foundry catalog.
family of 5 fonts from Ingrimayne Type
Ingriana is an informal, serifed typeface which is highly readable at small point sizes.
family of 5 fonts from Ingrimayne Type
Ingriana is an informal, serifed typeface which is highly readable at small point sizes.
Inspired and derived from the serial numbers printed on United States paper currency, the tongue-in-cheek infringe typeface has grown from the alphanumeric set of characters that sit reservedly aside the faces of dead presidents.
Taken out of their bright-green element, the characters have been given a life of their own, and have been joined by a one-hundred percent unique set of lowercase characters.
The font stands out in both formal and informal uses and can be used for both headlines and supporting text.
Inspired and derived from the serial numbers printed on United States paper currency, the tongue-in-cheek infringe typeface has grown from the alphanumeric set of characters that sit reservedly aside the faces of dead presidents.
Taken out of their bright-green element, the characters have been given a life of their own, and have been joined by a one-hundred percent unique set of lowercase characters.
The font stands out in both formal and informal uses and can be used for both headlines and supporting text.
family of 2 fonts from Tilde
family of 2 fonts from Tilde
Informa is a comprehensive sans serif text family based on traditional lettering in contrast, proportion, rhythm and stroke. In particular its proportions were based on a 1978 award-winning flare-serif film type called Signa, by Swiss design trio Team 77. More…
Informa strikes the visual balance between machine and man seldom reached by other, commonly used humanist faces. While some faces classified as such exhibit too much calligraphy (like Gill Sans, Syntax and Optima), and others tend to favor geometric principles in rhythm and proportion (like Agenda, Frutiger and Myriad), Informa stays true to the humanist ideology by maintaining the proper equilibrium between the two influences that drive the genre, and keeping the humanistic traits where they make better visual sense. This balance makes it more well suited for pairing with old style and transitional faces than the majority of sans serifs out there. It is a comfortable, gentle read that meets the demands of both extended text composition and informative, inviting display typography.
Informa’s variety of styles and features seat it among the best choices for corporate communication and global publishing or marketing campaigns. Its weights range from Light to Bold, with accompanying italics and condensed widths, adding up to twelve comprehensive Pro fonts, or thirty-six non-Pro fonts (including small cap and expert fonts for each style). Informa Pro’s extended character set covers all three European scripts (Latin, Cyrillic and Greek), including small caps across the board, seven sets of figures, and expert features including alternates and ligatures, totaling more than 900 characters per font.
For the non-Pro version of Informa, which excludes support for Cyrillic, Greek and Central European characters, please click here.
Informa is a comprehensive sans serif text family based on traditional lettering in contrast, proportion, rhythm and stroke. In particular its proportions were based on a 1978 award-winning flare-serif film type called Signa, by Swiss design trio Team 77. More…
Informa strikes the visual balance between machine and man seldom reached by other, commonly used humanist faces. While some faces classified as such exhibit too much calligraphy (like Gill Sans, Syntax and Optima), and others tend to favor geometric principles in rhythm and proportion (like Agenda, Frutiger and Myriad), Informa stays true to the humanist ideology by maintaining the proper equilibrium between the two influences that drive the genre, and keeping the humanistic traits where they make better visual sense. This balance makes it more well suited for pairing with old style and transitional faces than the majority of sans serifs out there. It is a comfortable, gentle read that meets the demands of both extended text composition and informative, inviting display typography.
Informa’s variety of styles and features seat it among the best choices for corporate communication and global publishing or marketing campaigns. Its weights range from Light to Bold, with accompanying italics and condensed widths, adding up to twelve comprehensive Pro fonts, or thirty-six non-Pro fonts (including small cap and expert fonts for each style). Informa Pro’s extended character set covers all three European scripts (Latin, Cyrillic and Greek), including small caps across the board, seven sets of figures, and expert features including alternates and ligatures, totaling more than 900 characters per font.
For the non-Pro version of Informa, which excludes support for Cyrillic, Greek and Central European characters, please click here.
The typeface was designed by Gennady Baryshnikov.
Bold Italic is based on Flash typeface, 1939, by Edwin W. Sharr. Additional styles were developed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov and Alexander Tarbeev.
Inspired by non-joining brush calligraphy.
For use in advertising and display typography.
The typeface was designed by Gennady Baryshnikov.
Bold Italic is based on Flash typeface, 1939, by Edwin W. Sharr. Additional styles were developed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov and Alexander Tarbeev.
Inspired by non-joining brush calligraphy.
For use in advertising and display typography.
InfoBits is a two-font system of dingbats with a strong technology theme. The complete family has 188 icons.
InfoBits is a two-font system of dingbats with a strong technology theme. The complete family has 188 icons.
Infilto is a scribbled font, simulating hasty written letters. Comes with loads of ligatures for both double letters/numbers and the most common letter combinations...
You will need to use OpenType supporting applications to use the autoligatures.
Infidel is a font based on letterforms found in Christian illuminated manuscripts and bibles from the Middle Ages. These idiosyncratic formssome beautiful, some uglyhave been redrawn in a contemporary way that we hope you find interesting. Infidel is available as a package of four different versions which can be mixed together.
Industry Inc is a collection of type based on the bold uppercase style of the Industry family. The typeface comprises numerous stand-alone styles along with a layered type system. Think of it as a toolbox equipping designers with extensive typographic options and combinations.
What will you make?
Want to know more? Read the Manual.
Note: The Stencil and Cutline styles are not meant to be layered.
font family from Hold Fast Foundry, added today
font family from Hold Fast Foundry, added today
family of 1 font from 066.FONT
Its said that what goes around, comes around, and theres no better proof of the saying than this typeface. Originally released as Latin Antique by the Stephenson Blake foundry in the 1880s, this face achieved renewed popularity in the 1950s, and its back again as, like, Coolsville, Daddy-o. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Lithuanian, Moldovan and Romanian.
family of 1 font from 066.FONT
family of 1 font from PizzaDude.dk
Indoxine is a scribbled font, simulating hasty written letters with occasional inkblobs.
Kufiz which gets influence from the engravings of the Ottoman art and Rumi ornamentations, is an adaptation of the refinement of the period to the modern typography.
family of 1 font from PizzaDude.dk
Indoxine is a scribbled font, simulating hasty written letters with occasional inkblobs.
Kufiz which gets influence from the engravings of the Ottoman art and Rumi ornamentations, is an adaptation of the refinement of the period to the modern typography.
family of 2 fonts from Aah Yes
Indipia is a caps-only misprinted font, ideal for display, titles, and headlines. It has alternative characters for all double-letter combinations aa-zz and AA-ZZ to avoid having two identical degraded letters together (You can see this by typing/copying words like mirror BASSOONS into the text box above, with Ligatures on); different characters for upper/lower case letters; and of course all the expected accented characters for European languages. Theres also Stylistic Alternates for some common letters and punctuation which will give a third version of the letter and/or add some random ink-misprints if selected. There are 2 styles -- Regular has small areas misprinted within the letter itself like little bits that haven't been inked, the Solid version doesn't, and the Solid one is on the grey gallery poster image.
The Bitstream version of Trump Mediaeval of Linotype, 1954-60, by Georg Trump, a prolific German type designer. It seems to be his best typeface.
It has a vigorous and assumed oldstyle roman and italic that is the sloped roman, except for the letters a, e, f.
With its crisp angularity and wedge-shapes serifs, Trump Mediaeval appears carved in stone. It is a strong text typeface that is highly legible and especially useful for low-resolution output.
It is useful in display work too. More…
Cyrillic version developedfor ParaType by Vladimir Yefimov and Isabella Chaeva and released in 2010. Cyrillic italics maintain the main feature of Trump Mediaeval to be the sloped roman, except for the letters , , , , n, .
There are old style figures, additional ligatures and fractions available at all styles and small caps at the Roman 55.
Black style was added in 2011 by Vladimir Yefimov.
family of 2 fonts from Aah Yes
Indipia is a caps-only misprinted font, ideal for display, titles, and headlines. It has alternative characters for all double-letter combinations aa-zz and AA-ZZ to avoid having two identical degraded letters together (You can see this by typing/copying words like mirror BASSOONS into the text box above, with Ligatures on); different characters for upper/lower case letters; and of course all the expected accented characters for European languages. Theres also Stylistic Alternates for some common letters and punctuation which will give a third version of the letter and/or add some random ink-misprints if selected. There are 2 styles -- Regular has small areas misprinted within the letter itself like little bits that haven't been inked, the Solid version doesn't, and the Solid one is on the grey gallery poster image.
The Bitstream version of Trump Mediaeval of Linotype, 1954-60, by Georg Trump, a prolific German type designer. It seems to be his best typeface.
It has a vigorous and assumed oldstyle roman and italic that is the sloped roman, except for the letters a, e, f.
With its crisp angularity and wedge-shapes serifs, Trump Mediaeval appears carved in stone. It is a strong text typeface that is highly legible and especially useful for low-resolution output.
It is useful in display work too. More…
Cyrillic version developedfor ParaType by Vladimir Yefimov and Isabella Chaeva and released in 2010. Cyrillic italics maintain the main feature of Trump Mediaeval to be the sloped roman, except for the letters , , , , n, .
There are old style figures, additional ligatures and fractions available at all styles and small caps at the Roman 55.
Black style was added in 2011 by Vladimir Yefimov.