Download Idealist Sans Font Family Style
Download Idealist Sans Font Family
Idealist Sans FOnt Download
font family from Glen Jan, added today
font family from Glen Jan, added today
font family
Kraaken FY is a new ultra black script perfect for posters, logotypes, headlines and every other punchy design. The loops of the ductus have been exagerated to give this font originality and robustness. To get its final heavily & regulary look, Kraaken FY has been grown up in many little steps and has been worked by all typedesigners at Fontyou.
family of 6 fonts from Florian Klauer, added August 1st
We love webicons!
family of 1 font from Jeff Levine
A military-style bold headline font.
family of 6 fonts from Florian Klauer, added August 1st
We love webicons!
KP Duty JNL emulates the lettering found on military equipment.
It’s a bold and macho design, perfectly suited for any project which has an armed forces theme.
KP Duty JNL emulates the lettering found on military equipment.
It’s a bold and macho design, perfectly suited for any project which has an armed forces theme.
family of 2 fonts from Urtd
Ico Time is a set of 115 symbols depicting time, clocks, watches and rhythm. To name a few, there are alarm clocks, binary watch, moon phases, calendars, 7-segments digits, hourglasses, sun dial as well as infinity symbol.
Inspired by the sans-serifs of the late 19th and early 20th century, Korbin is a legible and versatile text and display face available in five weights. It mixes geometric and humanist traits to achieve a modern, clean, friendly appearance.
The italic variations include bespoke characters for a more flowing look.
family of 2 fonts from Urtd
Ico Time is a set of 115 symbols depicting time, clocks, watches and rhythm. To name a few, there are alarm clocks, binary watch, moon phases, calendars, 7-segments digits, hourglasses, sun dial as well as infinity symbol.
font family
Inspired by the sans-serifs of the late 19th and early 20th century, Korbin is a legible and versatile text and display face available in five weights. It mixes geometric and humanist traits to achieve a modern, clean, friendly appearance. The italic variations include bespoke characters for a more flowing look.
family of 5 fonts from Typodermic
Korataki is a tribute to the 1970s futuristic classic, China (also known as Chimes). While font psychologists were still trying to figure out the effect of wide linear type on the human mind, engineers at Typodermic went ahead with plans for a gutsy 5 weight successor to Neuropol. Koratakis simple design appeals directly to the imagination. Free of all self-consciousness, it transfers messages invisibly without a trace of manipulation. Readers are left aware of only a bright future stretching out ahead of them.
Koorkin is an handwritten typeface created by George Ryan and published by Monotype Imaging that has four styles: Regular, Italis, Bold, Bold Italic perfect for display, headline etc.
Foundry: Monotype Imaging
Formats: OTF
Glyphs: Any Open Type Features, Basic latin/English letters, West European diacritics,Euro, Ligatures, Central Europe, Baltic, Turkish, Romanian, Vietnamese, Open Type Contextual, Dingbats & Symbols
Licence:Desktop, Webfont, App, eBook, Server
Released: 2012
Price: all 4 fonts $234,00
Koorkin is an handwritten typeface created by George Ryan and published by Monotype Imaging that has four styles: Regular, Italis, Bold, Bold Italic perfect for display, headline etc.
Foundry: Monotype Imaging
Formats: OTF
Glyphs: Any Open Type Features, Basic latin/English letters, West European diacritics,Euro, Ligatures, Central Europe, Baltic, Turkish, Romanian, Vietnamese, Open Type Contextual, Dingbats & Symbols
Licence:Desktop, Webfont, App, eBook, Server
Released: 2012
Price: all 4 fonts $234,00
As he explains the origin and purpose of this design, it becomes clear that Cyrus Highsmith undertook Ibis as a real typographic adventure.
Studying the Font Bureau library, he found openings that were filled elsewhere by Justus Erich Walbaums 1919 Walbaum and Hermann Zapfs 1952 Melior.
Combining these two diverse influences may be far from obvious, but Highsmith found the result to be truly inspirational.
family of 5 fonts from Type Associates
I arrived this concept as a means to fulfil a need for a simple yet radical semi-sans with rounded terminals. My concept called for a modular approach so a single weight font family resulted, the monoline stroke weights being one-eighth of the cap height and the x-height five-eights, the descent two units. Within these constraints I found it was simple to devise an alphabet which met my need for quirkiness whilst retaining its legibility. As for the outline, shadow and contour variants - well they just seem to work.
As he explains the origin and purpose of this design, it becomes clear that Cyrus Highsmith undertook Ibis as a real typographic adventure.
Studying the Font Bureau library, he found openings that were filled elsewhere by Justus Erich Walbaums 1819 Walbaum and Hermann Zapfs 1952 Melior.
Combining these two diverse influences may be far from obvious, but Highsmith found the result to be truly inspirational.
family of 3 fonts from Bitstream
Allen Zuk has designed this wacky typeface that he calls KOOKY. Each character has three variants that bounce about the baseline. The effect is a randomly casual appearance that is great for headlines. The OpenType version does this automatically by using contextual alternates, but for the kooks that prefer to do things the hard way, three PostScript fonts are available.
As he explains the origin and purpose of this design, it becomes clear that Cyrus Highsmith undertook Ibis as a real typographic adventure.
Studying the Font Bureau library, he found openings that were filled elsewhere by Justus Erich Walbaums 1819 Walbaum and Hermann Zapfs 1952 Melior.
Combining these two diverse influences may be far from obvious, but Highsmith found the result to be truly inspirational.
family of 3 fonts from Bitstream
Allen Zuk has designed this wacky typeface that he calls KOOKY. Each character has three variants that bounce about the baseline. The effect is a randomly casual appearance that is great for headlines. The OpenType version does this automatically by using contextual alternates, but for the kooks that prefer to do things the hard way, three PostScript fonts are available.
This font was inspired by music from the band The Devil Wears Prada.
This font was inspired by music from the band The Devil Wears Prada.
family of 1 font from profonts
family of 1 font from Deniart Systems
Hypnotize your audience!
CONCEPT/ CHARACTERISTICS
Konstrukta Humana Stencil aka Hot Cold is a modern designed sans serif typeface with humanist influences and Stencil character. The partially strong line thickness difference (line contrast) gives the font a touch of elegance and creates tension as fats. The font comes in 3 font styles. From elegant warm tenderness Thin to the solid, bold, and robustness cold Regular.
APPLICATION AREA
The Thin font weight would probably dig on festive invitations and Regular as concise poster font. From headlines in magazines or websites about poster design and flyers to t-shirt design. Just type it. More…
TECHNICAL SPECIFICATIONS
Headline Font Display Font Sans Serif Stencil Font Konstructa Humana Stencil OpenType Font (Mac + Win) with 375 glyphs & 3 styles (regular, light, thin). With alternative letters, ligatures, accents & .
Born on May 8, 1892 in Reno Nevada, Lewis Franklin (“Lew” ) Hymers left an indelible mark as a caricaturist, cartoonist and graphic artist.
At the age of twenty in [1912] he worked for the San Francisco Chronicle.
During World War I he worked for the Washington Post. He even was employed for a time by Walt Disney as an animator - but most of his life was spent in either Tujunga, California or his birthplace of Reno, Nevada as a self-employed illustrator.
More…
Hymers inked a feature for the Nevada State Journal called “Seen About Town”, which was published during the 1930s and 1940s. In this panel, he caricaturized many of the familiar faces around Reno.
He also designed signs, logos, post cards and numerous other commercial illustrations for clients, but what has endeared him to a number of fans was his vast library of stock cuts (the predecessor to paper and electronic clip art) which feature his humorous characters in various professions and life situations.
So popular is his work amongst those “in the know” that a clip art book collection of over seven hundred of his drawings that was issued by Dover Publications [but long out of print] commands asking prices ranging from just under $15 to well over $100 for a single copy.
Lew Hymers passed away on February 5, 1953 just a few months shy of his 61st birthday.
Although his artwork depicts the 1930s and 1940s lifestyles, equipment and conveniences, more than sixty years after his death they stand up amazingly well as cheerful pieces of nostalgia.
The twenty-seven images (and some variants) in Hymer JNL were painstaking re-drawn from scans of one of his catalogs and is but just a tiny fraction of the hundreds upon hundreds of illustrations from the pen of this prolific artist.